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The Adventures Of Sherlock Holmes
Set in the Victorian Age and regarded by many as the finest of the fourteen films in the Sherlock Holmes/Basil Rathbone series, The Adventures of Sherlock Holmes was originally released in 1939 by Twentieth Century-Fox.
Professor Moriarty (George Zucco) has at long last been brought to trial for murder, but the Napoleon of Crime is acquitted after the court finds a lack of sufficient evidence. Moriarty wastes no time in plotting his next crime, but in order to be successful he must divert the attention of the Great Detective.
Intimidating, anonymous letters sent to young socialite Ann Brandon (Ida Lupino)
the murder of Miss Brandons brother
and threats to the security of a priceless gem consume the attention of Sherlock Holmes (Basil Rathbone) and his companion Dr. Watson (Nigel Bruce).
Are these mysterious occurrences simply erroneous distractions? Are they clues to a case irrelevant to the exploits of the evil Professor Moriarty? Or, are these portents of disaster inexorably linked to the master criminals plan to commit a crime that will shake the very foundation of the British Empire? It is for Holmes and Watson to sort out these mysteries and, hopefully, eliminate the menace of Professor Moriarty.
One of the most engaging features from 20th Century Fox’s Holmes series, The Adventures of Sherlock Holmes is also of historical interest as it based on a hugely popular, early 20th century stage play written by and starring William Gillette. Basil Rathbone cuts a fine figure as the lean, hawkish Great Detective, drawn into a complicated conspiracy by fiendish Dr. Moriarty (George Zucco) to distract Holmes while quietly preparing to steal the Crown Jewels. Nigel Bruce is on board as a buffoonish Dr. Watson, and British-born Ida Lupino is very good, and quite gorgeous, as a young woman who may be the target of a family curse. True-blue Sherlockians know that very little of Gillette’s tale, and next to nothing about Zucco’s or Bruce’s performances, have anything to do with Sir Arthur Conan Doyle’s sacred canon. Still, this is a handsome production to enjoy on its own terms. –Tom Keogh